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Bhool chuk maaf (2025)

Bhool chuk maaf (2025)


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Director:Karan Sharma
Writers:Karan SharmaHaider Rizvi
Stars:Rajkummar RaoWamiqa GabbiSanjay Mishra

Review:Bhool Chuk Maaf’s release drama strangely and accidentally paid ode to its theme. From a theatrical release to OTT and back to theatrical release, it kept going in circles too. The film’s story tests your patience equally, but the outcome compensates for the scattered and meandering build-up.

Oblivious to the demands of adulting, Banaras sweethearts Ranjan (Rajkummar Rao) and Titli (Wamiqa Gabbi) are obsessed with each other. He doesn’t have a job, and she is too reckless to care. They decide to elope but abort the plan midway because she realises it’s unfair for their parents to face the repercussions. They want to be together but not at the cost of their families’ wellbeing.

Otherwise irresponsible, Ranjan promises he will find a government job in two months. This is her father’s only condition. Having no care in the world, the couple resorts to ‘jugaad’ and succeeds until Ranjan finds himself tangled in a time loop which forbids him to proceed to his wedding day.

Rajkummar Rao has done a couple of films with similar small town settings of late. Bhool Chuk Maaf has a few elements that are strikingly different and then those that follow a template. Some nuances in writing stand out. The family dynamics and eccentric characters may have that Bareilly Ki Barfi-north Indian vibe, but it also has its own personality. Ranjan’s relationship with money for instance, is a direct impact of his father’s (Raghubir Yadav) total financial reliance on his wife Seema Pahwa. She is the sole breadwinner of the house through her pickle business and her husband doesn’t find it odd. Likewise, Ranjan happily spends Titli’s money, which she borrows from her parents and doesn’t aspire to be self-sufficient until he is forced to.

The first half takes a bit too long to get to the point with innumerable songs added for no rhyme or reason. Humour is largely clean and safe if you excuse the occasional ‘tatti jokes’. It’s the second half that changes the game. It is here that the film addresses growing apathy, isolated existence and self-centric living. What are the consequences of our jugaad on the society at large and when did we stop caring? The social commentary through humour isn’t predictable and is well established. You just wish it didn’t take an hour to get there.

Borbaad (2025)

Borbaad (2025)


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Director:Mehedi Hassan Hridoy

Writers:Siddiq AhamedMehedi Hassan Hridoy

Stars:Shakib KhanJisshu SenguptaIdhika Paul

Review:A very good film of khan that directed by Mehedi Hasan Hridoy as a first film his direction was awesome..... Firstly i will appreciate that casting specifically Khan's acting was perfect and far far better than the previous films...the actions, the dialogues and the expressions was just
 enjoyable.... And Idika is a gem... Her presentation was very very good.....I wish the director mehedi will do more films in future and they will be blockbuster...... Jishu's entry was just a goosebumps..... I was become emotional seeing some scenes specifically the last scene of wedding it made me about to cry.... I wish the film cross the collection of toofan and make a milestone...

Single (2025)

Single 2025


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Director:Caarthick Raju
Writers:Bhanu BhogavarapuCaarthick RajuNandu Savirigana
Stars:VTV GaneshIvanaKalpalatha

Review:#Single directed by Caarthick Raju banks on camaraderie, comic timing, and pop culture references to deliver a fun-filled watch. Sree Vishnu and Vennela Kishore are in their element, with their on-screen friendship forming the heartbeat of the film. Their banter, expressions, and ease in playing off one another keep the narrative lively. The duo smartly weave trending cinematic tropes and pop culture references into their humour—whether it’s mimicking popular film stars or slipping in one-liners that reflect the times.


Ketika Sharma and Ivana, though not given deeply layered roles, perform effectively and contribute to the film’s cheerful energy. Rajendra Prasad, despite a limited role, brings his trademark to the screen. The cast also includes VTV Ganesh, Prabhas Sreenu, and Kalpa Latha.

Caarthick Raju’s direction keeps the tone light and breezy. The film never attempts to dive deep—Single is crafted as a feel-good entertainer. That said, the plot occasionally leans on stereotypical humour, which may not resonate with everyone. Still, when viewed in the spirit of light-hearted fun, most of it lands well. The short runtime of 129 minutes works in the film’s favour, preventing it from overstaying its welcome. A more robust storyline and a tighter screenplay—especially in the second half—could have taken Single from simply enjoyable to truly memorable.


The music by Vishal Chandrashekhar adds a pleasant background hum to the film, while R. Velraj’s cinematography captures the mood and tonality effectively.

#Single is a cheerful, no-fuss comedy that thrives on chemistry, comic timing, and a generous dose of pop culture. It may not offer depth, but if you’re in the mood for a breezy, entertaining ride, this one might just do the trick.

Housefull 5 (2025)


 Housefull 5

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Director:Tarun Mansukhani
Writers:Tarun MansukhaniSajid NadiadwalaFarhad Samji
Stars:Akshay KumarAbhishek BachchanRiteish Deshmukh
Review:The ensemble comedy Housefull 5 has finally hit theatres. Besides Akshay Kumar, Riteish Deshmukh and Abhishek Bachchan, the film also features stars like Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar, Chitrangada Singh, Fardeen Khan, Chucky Panday, Johny Lever, Shreyas Talpade, Dino Morea, and Ranjeet Bedi.

Apart from the stellar cast, which will surely help bring in the audience, the filmmakers have another trick up their sleeve with this particular movie.


Housefull 5 will have two different endings for the audience, and each will reveal a different killer in the climax. This move can help double down on the numbers, as curious fans might end up going to watch the film twice in different theatres.

Thug Life (2025)

  Thug Life 


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Director:Mani Ratnam
Writers:Kamal HaasanMani Ratnam
Stars:Kamal HaasanPankaj TripathiTrisha Krishnan
Review:When the duo that delivered the iconic Nayakan reunite after three decades, our basic expectation is, if not a masterpiece, at least a memorable moviegoing experience. But with Thug Life, both Mani Ratnam and Kamal Haasan disappoint, delivering one of their weakest efforts, to make us wonder what they saw in this beaten-to-death storyline to get back together again.

The film is a collection of gangster movie clichés - gang rivalry, betrayal, jealousy and vengeance - strung together with a plot that revolves around a fearless, respected and seemingly immortal gangster, Rangaraya Sakthivel (Kamal Haasan) and his relationship with Amaran, a boy whose life he accidentally ruins and chooses to raise as his family. He tries to make up for the boy's loss of his father (Ilango Kumaravel) by searching for his lost sister, Chandra, but two decades later, is still unable to.

Now, the boy has blossomed into a dashing young gangster (Silambarasan TR), a trusted lieutenant of Sakthivel. Even as the aging gangster faces off with his bitter rival Sadanand (Mahesh Manjrekar), unbeknownst to him, there's a battle coming his way from his own gang members - his elder brother Manickam (Nassar) and the ambitious Pathrose (Joju George) - who turn Amaran against him. Can Sakthivel, who has come face to face with death quite a few times, still manage to evade its grasp?

Despite familiar arcs, the leisurely paced first half manages to hold our interest, at least with the anticipation that there must be something deeper coming soon. A couple of arcs, like the one involving Indrani (Trisha), a bar singer who he rescues and makes his concubine, Jayakumar Rayappa (Ashok Selvan), a cop determined to bring down the gangsters, and Deepak (Ali Fazal), Sadanand's nephew who wants to avenge the killing of his brother, along with the running thread of the search for Chandra, hold promise.

But soon, with uninspired writing and weak characterisation, Thug Life becomes a slog. The latter half goes haywire with many of the sub-plots from the earlier portions either being diluted or largely getting shoved away for a long amount of time. Even Amaran goes missing for quite some time. Instead what we get are preposterous scenes of Sakthivel's survival after being shot at or stabbed multiple times. The threat of Sadanand ceases to exist and Deepak feels like a weak antagonist who makes moves that are predictable. Even AR Rahman seems to lose interest and delivers a background score that feels random.

The rich production values, especially Ravi K Chandran's glossy visuals, the mystery around the fate of Chandra and the inevitable face-off between Sakthivel and Amaran make us stay invested.


 

Bhairavam movie download and review

 

Bhairavam


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Director:Vijay Kanakamedala

Writers:Vijay KanakamedalaRamachandra RagipindiSatyarshi
Stars:Sai Srinivas BellamkondaNara RohithAditi Shankar
Review:Director Vijay Kanakamedala blends rustic action, emotional drama, and mystic symbolism in Bhairavam with varying success. While the film treads familiar ground, it is the performances and emotional core that keep it afloat.
Bellamkonda Sai Sreenivas sheds his usual larger-than-life image to deliver a performance that is restrained, honest, and emotionally rooted. Nara Rohith brings calm control to his role, portraying Varadha with understated strength. The true comeback, however, belongs to Manchu Manoj. Returning to the screen after a hiatus, he owns the role with a fiery presence. His deep baritone and brooding intensity add a sharp edge to the proceedings.


Jayasudha lends quiet dignity to her role, anchoring the emotional moments with grace. Aditi Shankar, Aanandhi, and Divya Pillai bring freshness and charm, though their roles remain underutilised. The supporting cast, including Ajay, Raja Ravindra, Sharath Lohithaswa, Sampath Raj, Sandeep Raj, and Vennela Kishore, complement the narrative well. While most have limited screen time, their presence adds weight and helps flesh out the world of Bhairavam, grounding it in familiar rural textures.

The first half feels stretched, weighed down by predictable beats and song placements. Post-interval, the narrative gains momentum with a twist in the Mamidi Thota sequence that heightens the emotional stakes.


Technically, the film stands strong. Hari K Vedantam’s cinematography captures earthy tones and rural textures with finesse, while Sricharan Pakala’s background score enhances the dramatic tension without overwhelming the narrative. The final act, steeped in ritual and rage, delivers an impactful climax that aligns well with the current wave of myth-inspired storytelling.

Bhairavam is a rustic action drama that weaves loyalty, betrayal, and spiritual symbolism into a layered narrative. While it falters in pacing, it finds redemption in its performances and emotionally charged finale. For those who enjoy rural dramas with a mythic touch, this one delivers just enough punch.
  



Stolen


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Director:Karan Tejpal
Writers:Karan TejpalGaurav DhingraSwapnil Salkar
Stars:Abhishek BanerjeeMia MaelzerShubham Vardhan

Review: ‘Stolen’ is one of those films that pulls you in from the very first scene and doesn’t let go until the end. At just over 90 minutes, it’s lean, tense, and surprisingly emotional. Based on a real incident, the story unfolds over one chaotic night — where everything that can go wrong, does — but it still manages to end on a strangely hopeful note. What really works here is how fast the film moves. There’s no unnecessary detour, no backstory flashbacks — just a tight, focused narrative that keeps the tension high. The setting adds so much: the cold, dusty railway station, the local dialect, and the uneasy quiet. It all feels very grounded and real. The cinematography leans into natural light and long takes, which builds a kind of quiet dread that suits the story.
The film opens at a small-town railway station in Rajasthan. Gautam (Abhishek Banerjee), a well-off, slightly uptight guy, is there to pick up his younger brother Raman (Shubham Vardhan), who missed his flight and had to take a train. Their mother is getting married the next day, and Gautam just wants to get home in time for the ceremony. But then a baby goes missing. Jhumpa (Mia Maelzer), a poor woman sleeping on the platform with her infant, wakes up to find her daughter gone. Raman happens to be nearby and is briefly suspected. He’s cleared soon enough, but the police rope him in as a witness and ask both brothers to stick around. Gautam, clearly uncomfortable and in a rush, wants to wrap things up and leave. But things only get messier. Jhumpa overhears a tea seller mention the missing baby, and he ends up confessing under pressure. As the brothers try to navigate this mess, their SUV photo goes viral, and they’re suddenly being chased by angry mobs, mistaken for kidnappers.

War 2 Downlow and Review

 

War 2


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Director:Ayan Mukerji

Writers:Aditya ChopraShridhar RaghavanAbbas Tyrewala

Stars:Hrithik RoshanN.T. Rama Rao Jr.Kiara Advani

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War 2 is a Bollywood action-drama film, sequel to War. Hrithik Roshan, John Abraham, and Jr. Ntr have been announced as the leads. Ayan Mukerji will direct the project, and Aditya Chopra will produce it under his own production company, Yash Raj Films. This film marks the Bollywood debut for Jr. Ntr. Film Production Production planned to distribute this movie at the end of this year, 2023, shortly after Tiger 3 came out. The script was already written by Aditya Chopra and Shridhar Raghavan. Release Date The most anticipated sequel, War, will hit theatres on the weekend of Independence Day on August 14, 2025.